Heliostat: Wim Botha

Gallery 2-8
Curated by Owen Martin
29 September 2018 – 21 January 2019

Heliostat: Wim Botha brings together key works in the South African artist’s career spanning two decades and is organised around the idea of refraction. Refraction, as understood in optics, is the transformation of light, the increasing or decreasing of its wavelengths, as it passes through a material, such as glass or a prism. We perceive this change in wavelengths as either the splitting of light into its visible spectrum, a rainbow, or the bending or distortion of an object.

Artists: Wim Botha

Atrium Commission
Courtesy of Claire & Edoardo Villa Will Trust

Ongoing

Forced migration is central to Serge Alain Nitegeka’s Structural Response III . The theme of disrupted lives, disrupted work and disrupted spaces is, through his intervention within the Atrium, intended to enable a discussion about displacement.  His use of simple building materials such as pre-cut timber, references the aesthetics of temporary structures that forced migrants often construct

Artist: Serge Alain Nitegeka

Batlhaping Ba Re!

Gallery 2-8
Curated by Portia Malatjie
1 September – 24 January 2019
Opening and Talk from 4-6 PM, Saturday, 1 September
Batlhaping Ba Re! is a solo exhibition by Mmakgabo Mapula Helen Sebidi (born 1943, South Africa) featuring paintings, etching and a sculpture from a career spanning five decades. The exhibition reflects on Sebidi’s continuous dedication to mythologies, ancestry and traditional value systems, and highlights the innovations that have characterised the artist’s practice in recent years.

Artists: Mmakgabo Mapula Helen Sebidi

Collector’s Focus

Vedanā: Experiences of Tonality in the Véronique Susman-Savigne Collection

Gallery 9

Curated by Mike Tigere Mavura

27 October – 7 January 2018

Vedanā: Experiences of Tonality in the Véronique Susman-Savigne Collection, presents a constellation of works from the collection of Véronique Susman-Savigne, which ruminates on humanity’s existential questions and the psychology of being. The collection, which includes contemporary works acquired on several continents, exists as a mirror to the human psyche; it reflects on fundamental existential questions that relate to human thought, behaviour and personality. By extension, the exhibition enacts a silent conversation across varied experiences, with the abstract works registering tones, whilst the figurative works pose the questions: Who am I? What is my true nature or essence? What is my true identity? Why do people behave the way they do?
Sculpture Garden
Sculpture Garden 28 April 2018 – ongoing
The Sculpture Garden at Norval Foundation features three-dimensional and installation-based artworks by artists from South Africa and Africa. The unique site, bisected by a protected Cape Lowland Freshwater Wetland and surrounded by the natural beauty of the Western Cape, features flora that are indigenous to the area. The placement of artwork takes the site into consideration, using the contours of the garden to hide and reveal work, creating an experience of discovery for the viewer. The building has been designed so that the Western side gives way onto the Sculpture Garden at multiple points, allowing visitors access from the galleries, building connections between exhibitions taking place both inside and outside. The exhibition programme in the Sculpture Garden aims to represent a plurality of practices currently taking place in the region, including artists working with the figure, narrative and mythology, abstraction and post-minimalism and craft. Artworks will be a mixture of long term loans and works from the Homestead Art Collection, which are installed permanently. Special thanks to all of the artists and the generous support of Everard Read CIRCA Gallery, Cape Town/Johannesburg/London; NIROX Foundation Trust, Johannesburg; STEVENSON, Cape Town/Johannesburg; and WHATIFTHEWORLD, Cape Town.