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CURRENT EXHIBITIONS

Sthenjwa Luthuli: Umkhangu/Birthmark

11 September 2025 – 10 January 2026

Umkhangu/Birthmark is a contemplative exhibition that brings together a powerful body of work by South African artist Sthenjwa Luthuli. Born in 1991 in KwaZulu-Natal, Luthuli is a self-taught printmaker, celebrated for his meticulously carved wood reliefs and woodcut prints, enriched with oil paint, charcoal, and mixed media. His works move beyond portraiture to serve as profound meditations on identity, cultural tradition  and   African spiritualism.

 

Norval Student Art Prize 2025

16 June 2025 – 22 February 2026

Norval Foundation is proud to present the Norval Student Art Prize 2025 exhibition, showcasing the 13 winning artworks selected from hundreds of entries submitted by learners across the Western Cape. These exceptional pieces respond to the theme TO BELONG, inspired by the museum’s landmark exhibition, We, the People: 30 Years of Democracy in South Africa.

Billie Zangewa: Breeding Ground

Gallery 1 | 18 February 2025  – 08 February 2026

Billie Zangewa: Breeding Ground, curated by Anelisa Mangcu, explores the transformative potential of nurturing as a fundamental force for growth, creation, and connection. Through her masterful use of silk collage, Zangewa examines the cycles of care that define human existence, offering a compelling meditation on themes of motherhood, community, identity, and resilience.

We, the People: 30 Years of Democracy in South Africa

Gallery 2-8 | 6 December 2024 – 23 November 2025

We, the People: 30 Years of Democracy in South Africa, an exhibition curated by Liese van der Watt, explores three decades of South Africa’s democratic journey and the country’s transformation through powerful visual art. The show serves to commemorate 30 years of democracy and also encourages viewers to participate in the continuing work of democratic transformation. 

Kaloki Nyamai: Ithokoo masuiluni

Atrium | 20 November 2024 – 12 October 2025

Ithokoo masuiluni, by Kaloki Nyamai delves into the potential for new realities. He uncovers and proposes narratives of an awaited morning that promises new beginnings. The three free-hanging pieces involve acrylic paint, sisal rope, photo transfers, and yarn stitched onto the canvas, alluding to the healing of past wounds and fractures in Kenyan history and a collective yearning for renewal.