Why Should I Hesitate: Sculpture

Atrium, Galleries 2-8

24 August 2019 – 27 July 2020


Why Should I Hesitate: Sculpture is the first exhibition internationally to address Kentridge’s output as a sculptor, and is a unique focus on this aspect of his practice. Covering several bodies of work, and testifying to his longstanding improvisation when handling three-dimensional form, this exhibition sees the origins of these works in props from his operas and images from his animations stepping off the stage and out of the screen, confronting us directly at ground level. 

Accomplice: Michael Armitage

Gallery 1

8 February 2020 – 15 June 2020


Accomplice: Michael Armitage  brings together a series of eight paintings and nine preparatory ink drawings by Kenyan artist Michael Armitage created over a two year period beginning in 2017. Presented for the first time as a complete cycle, the catalyst for these works were events connected to the 2017 Kenyan General Elections. At the time, Armitage travelled to Uhuru Park, in Nairobi, to witness a major rally that was being staged by the country’s main opposition party. The observations made at this rally, in addition to images culled from social and broadcast media, are the basis for paintings that engage the Kenyan body politic. These perceptions, filtered through the artist’s oneiric vision, open up multiple narrative and conceptual possibilities.

Collector’s Focus V

Courage is as Contagious as Fear: Selected works from the Hoosein Mahomed Collection

Gallery 9

8 February 2020 – 21 April 2020


Courage is as Contagious as Fear presents a selection of works from the collection of entrepreneur and attorney Hoosein Mahomed. Beginning with his first acquisition in 2007, Mahomed has established himself as a collector by acquiring works by prominent mid-career and established contemporary South African artists, as well as supporting younger artists at the beginning of their careers. Mahomed finds the acquisition process to be an acutely personal exercise, noting, “I think it’s not so much about collecting objects. It’s really about collecting memories. And it starts as one delves very deeply within the individual self, in order to begin the process of relearning and unlearning oneself through images”.



Sculpture Garden


The Sculpture Garden at Norval Foundation features three-dimensional and installation-based artworks by artists from South Africa and Africa. The unique site, bisected by a protected Cape Lowland Freshwater Wetland and surrounded by the natural beauty of the Western Cape, features flora that are indigenous to the area. The placement of artwork takes the site into consideration, using the contours of the garden to hide and reveal work, creating an experience of discovery for the viewer. The building has been designed so that the Western side gives way onto the Sculpture Garden at multiple points, allowing visitors access from the galleries, building connections between exhibitions taking place both inside and outside.